|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
The photographic ISO film speed rating has a long and sordid past which included several different names such ASA and DIN and conversions between them. ISO is an acronym for the International Standards Organization which establishes and monitors many standards in many industries, products, and services and the specific standard which applies to film speed is ISO 5800:1987. Today most countries and manufactures use this ISO film speed standard and so the confusion has been alleviated, that is until digital cameras became of age and started to use ISO ratings. With a traditional camera the film speed or ISO is a measure of the film's sensitivity to light and higher ISO values like 800 and 1600 are more sensitive to light where ISO 100 or 200 are less sensitive. In a digital camera there is no film but there is an image sensor, usually a CCD, which has an adjustable gain amplifier and thus a sensitivity setting. Early digital cameras either had no ISO settings, a sensitivity setting or were equivalent to ISO 100 or ISO 50 only. Newer models are offering a compliment of ISO settings and as an example the Nikon Coolpix 995 has ISO100, ISO200, ISO400 and ISO800 settings. Back to traditional films for a moment. A traditional film's increase in ISO represented an increase in the size of the silver bromide crystals used to cover the film. The larger these crystals are the faster the film, the finer the crystals the slower the film. The photographic result of larger crystals or faster film is that the image has less resolution and appears grainier. A digital camera has a similar trade off. As the image sensor's amplifier is set to higher gain this increases the dark current in the collector which in turn, based on the length of the exposure, adds noise to the resulting image. A cooled astronomical CCD camera has the same amplifier and noise potential but by cooling its collector the dark current is minimized. The ISO standard has very detailed specifications and all are related to chemical film and not digital cameras. Most digital camera manufactures refer to their ISO setting as ISO equivalent and so we will treat it as equivalent. Table 1 below shows the various shutter speeds at various ISO equivalents and is based on standard exposure formulae. By moving horizontally in our table we encounter equivalent exposures. So a 1/60 of a second exposure in ISO 100 is equivalent to a 1/480 of a second in ISO 800. Similarly, a 7.5 second exposure @ ISO 800 would result, theoretically, in the same exposure for 60 seconds at ISO 100. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Table 1 |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Digital camera astrophotographers can make use of the camera's ISO equivalents in many ways. Based on the two areas discussed above and marked bold in the table, two obvious situations arise where different ISO settings could help in the quest for the perfect image. When shooting planets the key is to take a series of photographs as quickly as possible to maximize the chances of getting several good photos and thus riding the seeing wave. If the ideal exposure for the planet Jupiter is 1/30s the photographer could take several more photographs by reducing the exposure to say 1/120 and using ISO 400 rather than ISO 100. This would also reduce the risk of vibrations bluring the photographs. Shooting deep space objects, the benifits of knowing and using the ISO setting are extreme. If the maximum shutter duration is 60 seconds for a given camera, the exposure can be altered to capture even more photons by increasing the ISO setting to ISO400. Take a look at the table for a sixty second exposure with ISO400 and you can see the ISO100 equivalent exposure is 240 seconds or 4 minutes! Even camera's with only 16 or 8 seconds max shutter duration could benifit greatly by increasing the ISO to 400 and yeilding 64 and 32 seconds ISO 100 exposures. Another important benifit of using higher ISO settings is that if a mount or alignment is not perfect or an Alt/Az mount is used shorter exposures can be used to reduce streaking or star trails in your images. For example, an ISO800 shot of M42 can be taken in 8 seconds where a 60 second ISO100 shot would have star trails. Using a higher ISO value has its drawbacks and the astrophotographer should be well versed in dark subtraction or use of the camera's built-in noise reduction. Even so, the rewards far outway the downside and like everything else about this endevour practice and patience will prevail. |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| http://www.dpreview.com/learn/Glossary/Digital_Imaging/Sensitivity_01.htm http://www.kodak.com/global/en/service/faqs/faq0010.shtml |
||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||